Showing posts with label publication. Show all posts
Showing posts with label publication. Show all posts

Tuesday, 24 August 2021

Applying Myself

 Bright yellow background with black text. There is a picture of a free-floating balloon with string dangling on the top left and a microphone on a stand on the bottom right.  Text reads, from top to bottom: "Burning Eye Books" with a tagline that looks as though it was spraypainted through a stencil: "Never Knowingly Mainstream", with the year 2022 written underneath. Below this: "10 Years of publishing slam/ stand up/ spoken word/ performance poetry".

Next year sees the tenth anniversary of publishing house Burning Eye Books, who’ve produced the collections of some of my favourite UK performance poets. Their focus has been consistently on platforming the work of word-wranglers who inhabit that interesting place between poetry, theatre, music, and stand-up. The sort of people who used to be traditionally, well, invisible to standard page publishers.

People like me, I suppose.

Imposter Syndrome is a funny thing – it can have you thinking you’re cheating and faking, especially when you do well, especially if it’s taken a while for other people who at least look like arbiters of success, to recognise your achievements and skills. Especially if you’ve ever been given grief for your endeavours. It makes it difficult to put yourself forward for opportunities because, well, they’d never pick me.

Last September someone told me that the next window for submissions to Burning Eye Books would give specific emphasis to welcoming artists inhabiting that interesting place between male and female. The sort of people who used to be traditionally, well, invisible to standard institutions.

People like me, in other words.

So I, high on the adrenalin of an excellent night of slam poetry, vowed (in front of witnesses) that this time, I’d actually apply. And in the new year, having moved into a different phase of my life on several fronts, persistently encouraged by a bunch of lovely people, I made a spreadsheet (obviously) for all the poems I felt folk would want to read, and started cataloguing them. And then I got ill. And then I hurled myself during the final 48 hours before the deadline into writing a proper submission for a grown-up version of the kind of stuff I’d been producing (a sample, a bio, and a proposal for the shape of the book; why will people buy this? who are you? what makes this – and you – special?). And, for once, I wrote that down and told them. (And got friends who know their stuff to check it, and they reminded me about other things I could say, so I said them too.)

Writing poetry is easy. Delineating your literary worth in an online form? Bit more of an ask.

Anyway, you may have seen this on social media already, in much pithier, more confident-seeming formats. But, in short: Clive and Bridget looked at the proposal, and in March, they said yes…

Bright yellow background with black text. There is a greyscale photo in the middle which looks as though it’s been taped onto the page, and a picture of a free-floating balloon with string dangling on the top left and a microphone on a stand on the bottom right.  Text at the top reads: "Fay Roberts ze/zir they/them". The photo below is of a slender, white person with slightly wild, curly hair of an indeterminate colour to their shoulders. There is a bright light behind them and they are looking up and to their right with a slightly tortured expression, mouth open as though speaking. The placement of the balloon means it looks like they’re staring at it. They are wearing a white top with three-quarter sleeves and an open, grey waistcoat over the top. Their left hand is raised, palm open, and they’re wearing a ring on their thumb.  Text at the bottom reads: "Burning Eye Books" with a tagline that looks as though it was spraypainted through a stencil: "Never Knowingly Mainstream". Lastly, there’s the year 2022 written to the right.
(Author image by Matt Widgery at the SHINDIG Storytelling Special.)

The book is currently called Spectral. It’s going to have a very specific concept underpinning its construction, and very beautiful cover art by local Cambridge artist Sa’adiah Khan, and I’ll be producing an audiobook version to match the current release date for the physical book in March 2022. You’ll be able to buy it in bookshops and online and did I mention that I’m still freaking out about this?

Today the knowledge that this is actually happening sinks that bit further into my psyche, and I’m abruptly grateful that the process of publication takes a lot longer with big publishers than with my own platform. (Oddly enough, my label, Allographic Press, has seen other of our writers ’graduate’ to Burning Eye and… I guess I’m one too, now…?)

The tenth anniversary publications list for BE looks like a grand mixture between some of my favourite poets (including people I’ve acted with, which is an interesting bit of world-collision!), people I’ve only heard of, and others I’m really looking forward to getting to know:

Bright yellow background with black text. There are a list of names down the middle, and a picture of a free-floating balloon with string dangling on the top left and a microphone on a stand on the bottom right. At the bottom is the year 2022.  Names list top to bottom: "Ash Dickinson, Sally Jenkinson, Panya Banjoko, Katie (Tom) Walters, Vera Chok, Pascal Vine, Inizo Lami, Ross McFarlane, Leena Norms, Jemima Foxtrot, Leyla Josephine, Jack Juno, Maz Hedgehog, Fay Roberts, Bibi June, Louise Fazakerley, Mark ’Mr T’ Thompson, Nora Gomringer"

So I’ll be keeping you up-to-date with progress as it goes, in between small bouts of freaking out and rushing to complete deadlines at the last minute because really… that’s not going to change any time soon, let’s face it… Expect to see at least hints of art and contents pages, and possibly the occasional flail about audiobook production and other such fun stuff. I’ll be posting on Instagram, Twitter, Facebook, and possibly Soundcloud about All This, but expect the longer rambles to turn up here. And yes, this may be the final impetus I need to actually update my website for the first time in… okay, I’m not going to work out how long it’s been, just crack my knuckles and get on with it!

To everyone who’s encouraged, proofread, witnessed vows, made space for me to write in, squeaked with glee, and/ or shown absolutely no surprise whatsoever when I’ve told them this news… thanks! And if you’ve read this far, thank you too!

See, it’s important to have good friends around you. Folk who’ll gently (or not-so-gently) nudge you toward the things that make your life brighter, remind you that there’s space in which you can make and grow and thrive. That there are chances for those who might have considered themselves invisible to standards they think unattainable.

People like you. And me.

Blimey…

Monday, 4 March 2019

#Multicultural #Cambridge (or: I've only just realised that #Brexit's nearly here)

I’ve been living in Cambridge for nearly ten years now (come July) and – much as I rail at its many structural inequities, and the inaccessibility of many of the wonderful things it does, there are some major things (and people!) I properly love. Among all the art, history, culture, and technology (and things which span all of these categories!), there’s an attitude of proper liberalism and a truly international spirit here. The first time I visited with a view to “we’re going to live here shortly” I heard about five languages spoken on the streets in the first hour or so, and it immediately felt more home-like than Milton Keynes, where I was living at the time.

Without Milton Keynes I may never have been pushed to write poetry (take that as you like!), but I grew up in Cardiff, a massively multicultural place, raised by polyglottal people who considered themselves Europeans, and raised me and my brother to think likewise. The idea that I can no longer call myself European is... painful to me. The idea that wonderful people (some of whom I work and make art and memories with) in this city I now call home would feel unwelcome here after the end of March is abhorrent.

So while I’m applying for an Irish passport (born in Belfast in the 70s, I’m entitled to one), and resolving to learn and use more languages, and signing any petition that comes my way, none of that feels like a celebration of what we are and can be together, culturally, artistically, and linguistically.

This morning, it finally, finally hit home for me how close Brexit is, and that I really wanted to do something to commemorate how amazingly international Cambridge (and the UK in general) is. Within about 90 seconds, the following Crazy Project blossomed in my brain: I’d like to put together an Allographic anthology of creativity in all sorts of languages by the end of the month.

It would be in the mould of the long-overdue-for-resurrection publication “Small Words” – small (A6), environmentally sourced, physically pleasant to hold, short run, and a mix of poetry, stories, photography, artwork, (and I think essays this time too, given the subject matter). We’d launch at the next Allographic open mic (Sunday 31st March).

From concept to Proper Project in a couple of hours – this is how I do. So, if you would like to submit poetry, short fiction, essays, artwork, or photography to the Allographic Small Words Brexit Special celebrating multiculturalism and international cooperation in Cambridge and the UK, go here: http://bit.ly/smallwordsbrexit. The deadline is Thu 21-Mar-19 8pm GMT.

Pieces should reflect the themes (however loosely) of multiculturalism, international cooperation, Cambridge(shire)/ Britain and its international links, and the power of peaceful protest.

There’s no money to be offered for your work (this will be a short run, aimed at breaking even), but no entry fee either, and you will receive a free copy of the anthology. We especially encourage multilingual pieces (i.e. those incorporating more than one language), though monolingual pieces in any language are also welcome.

The anthology will be published in hard form (A6, recycled materials), and electronically.

Please feel free to share this wherever you think it would be welcome. ☺